In praise of the sub-editor
Monday, August 2nd, 2010Got details today about a play about sub-editors, cunningly entitled Subs, which is on at London’s Cock Tavern Theatre. It tied in nicely with a subbing course I was running, and gives me an excuse to tell one of the great pro-subbing stories.
It was a good course, despite the range of people (including one from a council newspaper, a New Zealander from a government department and an Aussie pharmacist now working as a journo on pharma titles).
Shows how the old days have skipped on a tad. I became a sub because my writing had reached the stage where I was considered good enough to be allowed to touch someone else’s writing.
You got paid more, too. Wasn’t much, but by local paper standards, it put me several pegs above the hacks. And it was the faster route on to Fleet Street.
Nowadays, some start their career on the nationals as subs. Would make me nervous as hell when my downtable subs didn’t understand the writing process thoroughly. But now subs have become a optional extra in many areas.
Websites and magazines think they don’t need them because theit writers are so good. Hmm. Not hard to see why you’ll see mistakes everywhere, is it?
I’m not just talking about grammar, spelling and punctuation. I think such things are still important, but I’m looking at some stuff from the Daily Mail, where the writer (and the sub) hasn’t understood the difference between colons and full stops. Does it matter, or am a dinosaur?
Anyway, back to the story. The scene: The Sun, pre-Canary Wharf. Kelvin Mackenzie days.
We’re lounging around. It’s post-first edition. One of the writers, a new kid on the block, comes over and says accusingly: “Someone’s changed all my copy round!”
It went very quiet. We looked at each other. Then this hard-drinking Scot pipes up and says: “Aye, I dun it. What’s the matter?”
“Well, you’ve changed my words round,” says the lad, indignantly. “It’s got my byline on it, but it’s not my story. There’s a new intro, there are different quotes and the whole order’s changed.”
The Scot thought for a few moments. “Listen, son,” he said. “You’ve got the glory, but we’ve got the power. Now piss off.”
Was there ever a better retort to pretentious writers?